servo lens for blackmagic studio camera

So far the only problem I’ve run into is trying to get a lens with servo zoom without spending $30,000. Users browsing this forum: Andy Coulthurst, Majestic-12 [Bot] and 40 guests. I see this thread is a few years old at this point...did anyone come up with a feasible idea (until next revision of camera happens, ha!)...? That doesn’t mean that there aren’t other options available for using active lenses with the Blackmagic Studio Camera. Features an incredible 4K image sensor and a new extended … A CCU remote can be bought from china within $250(focus/iris/zoom/canon/fuji) Also I found lots of 12V XLR distributior solution from google. It’s important to bear in mind when choosing your lens because you are never going to get the field of view that you are expecting when working with full-frame and cropped frame cameras in tandem. That works well- carries program audio too. 00. 4K Capable. If you're confused by what the best lens for the Blackmagic Pocket Cinema Camera 6K is, read this article. We did a lot of talking head shoots and video podcasts that had a static wide and then two roaming or over the shoulder head shots using tele lenses. “While the camera represents a significant cost reduction for broadcast equipment, the cost of broadcast lenses hasn’t changed. It’s just that they aren’t officially approved for us by BMD. For more information, click here to see our disclosures. I regularly use 80x zoom lenses on live productions. It’s definitely a mid-high level lens and certainly one for the category of best Blackmagic Studio Camera lens. Something often used for talking head shots and nice wide open apertures to get that beautiful shallow depth of field behind the guest’s head. Tom you are right. The lens is a great price for the focal length, aperture, and form factor it carries, around about $800-1,000/£750-900. So is you have an 35-100mm MFT lens that is equivalent to 70-200mm focal length for full frame. As every videographer knows, the glass (lenses) comes first and the body comes second. This would give me range across the 24-200mm focal lengths in a full-frame field of view but spread across two lenses. The Blackmagic Micro Studio Camera 4K is engineered with a super tough magnesium alloy core in a body that’s not much larger than the lens mount itself! A constant f/2.8 maximum aperture affords consistent performance throughout the zoom range, and benefits working in difficult lighting conditions as well as enables greater control over depth of field. At f/2.8 I had more than enough light to play with on the Blackmagic studio camera sensor and the form factor was beautifully small, just 68x74mm and weighing 305g. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. It just wasn't nearly as sharp as the Lumix zoom I was comparing it with. 4.7 out of 5 stars 220. Now that you’ve decided to go ahead and get stuck in with a Blackmagic Studio Camera, you’re probably wondering which is the best lens, or lenses, to use with it? The Blackmagic Design URSA Broadcast Camera is a field and studio production powerhouse.Featuring a native B4 mount for standard 2/3″ broadcast lenses means that the URSA Broadcast will be at home on a studio sled behind a box lens just as much as it will be on the shoulder of a news coverage camera operator. … Review Blackmagic Design Studio Camera HD 2 An added bonus, though slightly unnecessary for the majority of my setups was optical image stabilization. Blackmagic URSA Broadcast Studio Kit. We used a range of DSLR’s, FS7’s and the URSA Mini Pro’s to film on-location pieces for brands and in-house content. As I pointed out earlier, the Blackmagic studio cameras need a decent amount of light on the sensor (Micro Four Thirds cameras have a smaller sensor size) so you need a nice open aperture. You get a massive 10 inch viewfinder, MFT lens mount, talkback, tally indicators, phantom powered microphone connections, 3G-SDI and user upgradeable optical fiber connections that let you connect to your switcher with a single cable! $1,995.00 $ 1,995. The Fantastic Blackmagic Studio Camera, How to Choose? This Blackmagic Design URSA Broadcast Camera Kit put together by B&H pairs the URSA Broadcast camera with the Fujinon LA16x8BRM-XB1A 4K ENG telephoto lens that has a 16x zoom ratio, an 8 to 128mm focal length, electronic back focus adjustment, and a macro function. As you can see above, these are all lower to mid-tier lenses with fairly smaller apertures. Yes Blackmagic made the URSA Mini PL which can take a standard B4 lens via it's interchangeable mount. The Panasonic Lumix G X Vario 12-35mm f2.8 II Asph Power OIS was an obvious choice for me. You can even select between a range of different lens mounts! This is a quick overview of the latest Blackmagic Studio Camera. How do I know what I’m talking about? Use Your Smartphone as a Webcam With NDI and OBS, Share ANY PC or iOS Screen on Your Network to OBS Studio with NDI, How to FIX Audio Coming Out of One Ear in Premiere Pro, Final Cut or Resolve, How to Add a Wiggle Expression in After Effects, How to Use the Adobe Colors Theme Extension, How to Export an After Effects Composition to MP4, How to Add a Bounce Expression in After Effects, Olympus M.Zuiko Digital ED 9-18mm F4.0-5.6 Lens, Panasonic LUMIX G 14mm f/2.5 ASPH II Lens, Panasonic Lumix G Vario 14-140mm f3.5-5.6 ASPH Power OIS. Ever wanted to use your smartphone as a webcam for game streaming in OBS? Using the S.BUS protocol, the camera could connect to the existing radio receiver on the drone and permit an operator on the ground to adjust the camera and lens using their existing radio equipment. All trademarks are property of their respective owners. I hope this has helped you make an informed decision on the best lens choice for the Blackmagic Studio Camera. A versatile all-in-one zoom featuring a robust physical design, the Lumix G Vario 14-140mm f/3.5-5.6 II ASPH. The approved BM LANC remote for next to camera control is the Manfrotto RC Pan Bar EX Remote Control. The studio cameras aren’t designed to be thrown about on your shoulder ENG-style but if your cameraman does need to reframe rather quickly whilst live on the shot then having OIS could be a lifesaver. If we combine the lens’ EF Mount with the Metabones to Mico Four Thirds adapter (rated to be accurate with the CN-E 18-80mm) then we can LANC connect the camera and have a cameraman control the camera or route to the control room and control the lens zoom, iris and focus capabilities from there. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. This selection was born from years of frustrations, research, and testing so you can be assured that everything I have mentioned above comes with a recommendation made from my own personal experience. Lens, Panasonic Lumix G X Vario PZ 45-175mm f/4.0-5.6 Zoom OIS Lens, Olympus 12-50mm f/3.5-6.3 ED M.Zuiko EZ Micro 4/3 Lens, Olympus 14-42mm M.Zuiko f/3.5-5.6 Digital ED EZ Lens, Panasonic LUMIX G LEICA DG VARIO-ELMARIT 8-18mm f/2.8-4.0 ASPH Lens, Panasonic Lumix G X Vario 12-35mm f2.8 II Asph Power OIS lenses, Panasonic Lumix G X Vario 35-100mm f2.8 II Power OIS, favourite lenses to work with as a Videographer. I have used a few B4 lenses and the biggest problem for me was the SD glass I had access to. Drool … It’s potentially even more daunting with the Blackmagic Studio Camera due to it having a micro four thirds mount which can be adapted to take any lens mount you want to give it. I needed to make some choices and get some extra lenses just for the studio cameras. We make a small commission if you buy the products from these links (at no extra cost to you). Plus you can choose from a range of battery mount plates for attaching third party batteries. The new Blackmagic Pocket Cinema Camera 4K ( Amazon, B&H) has a larger Micro-Four Third-type sensor, so if you use Super 16mm lenses, it will vignette. Back in 2017 I ran a small-medium size video production department for an online media publisher. After reading this discussion, I also must contribute with my feelings about this product. If you’re working on a live production you can add the professional 7 inch URSA Studio Viewfinder and even a Blackmagic Camera Fiber Converter. My research led me to a mid-tier lens, the Olympus M.Zuiko 9-18mm wide MFT lens, 18-36mm in full-frame equivalence. It’s currently the only f/2.8 fast ultra-wide-angle zoom lens on the market. It’s definitely a mid-high level lens and certainly one for the category of best Blackmagic Studio Camera lens. the only problem now is the lens(i think). Although the lens came out in 2010, its continued popularity has prompted numerous revitalizations from Tokina, and the third iteration of the glass was released just last year. In total it’s five lenses for three cameras, at around $5,000/£3,500 but they are five lenses that I trust will give me the results I need. Only 2 left in stock - order soon. The stated focal length on any micro four thirds lens is double in a standard full frame sensor camera. It’s just a shame that Lumix G Vario 14-140mm had such a smaller aperture. So choosing the right lens is an important decision. This Canon lens is a lower-budget cine-servo lens for ENG style cameras. Its small size makes it easy to transport, and means it’s ideal for sporting events, webcasting, reality TV, and close-quarters shooting. By clicking below to subscribe, you acknowledge that your information will be transferred to Mailchimp for processing. So my choice started here. This lens mount replaces the existing PL mount on your URSA Mini and features corrective optics, which counteract spherical aberration inherent in B4 lens designs (to compensate for the trichroic prism in 3-chip cameras). These cookies will be stored in your browser only with your consent. It was really really soft. Which Tricaster is the Best Video Switcher for Live Streaming? You can use your existing photo lenses for smaller setups or fixed camera use, or then bolt on incredible broadcast ENG lenses for large live broadcasts. Using B4 lenses on the Blackmagic Studio CameraThe Blackmagic Studio Camera natively features a Micro Four Thirds Mount. HD or 4K? As far as coms go, I bridge my ATEM studio converter into ClearCom with the ClearCom RTS interface. We'll assume you're ok with this, but you can opt-out if you wish. The real front runners in the Micro Four Thirds lens market are Olympus and Panasonic, due to them being the main camera body manufacturers aside from Blackmagic Design. Panasonic do a great Panasonic Lumix G Vario 14-140mm f3.5-5.6 ASPH Power OIS MFT lens (28-280mm FF equivalent), which would give a great range of length to work with on the studio cameras. Later on, I decided on the Panasonic 8-18mm f/2.8-4.0 ASPH Vario Lens (16-36mm FF equivalent) at $1,000-1,100/£900-£1,000 which suited my setup much better. This is particularly useful if you have camera mounted in positions without a cameraman behind them or on PTZ style heads at venues for examples, then having the ability to remotely control your lens is a great added bonus. An all-in-one lens is always preferable but then again, it’s always hard to find, and even harder to find at a price that doesn’t break the bank. These lenses also cost into the tens of thousands! 12-35mm Mid Shots (24-70mm FF) Panasonic Lumix G X Vario 12-35mm f2.8 II ASPH Power OIS These cookies do not store any personal information. If you know the focal range you need won’t change and you want the most amount of light possible then lenses like the Sigma 16mm f/1.4 DC DN- at $350-450/£300-400 or the Panasonic Lumix G 14mm f/2.5 at $200-300/£150-250 would be great static wide lenses for the Blackmagic Studio cams. I had set up our second in-house studio ready for TV-quality programming, live-streamed through social media platforms using a Tricaster setup. The 9-18mm Olympus is a handy lens to have but the price is reflective of the aperture it has, f/4.0-5.6. This lens worked well for us for a good while and meant that we didn’t have to do much lens swapping, the location crew could get by on a couple of Sigma 18-35mm we had and the studio crew had the 9-18mm MFT lens. Now, the Blackmagic Design Studio Cameras are a little different from film and photography bodies, they can be controlled by the gallery/control room remotely. By 21mm it begins to get extremely wide. A very important factor in my decision making process, and something that you need to know is the crop factor on Micro Four Thirds cameras. A constant f/2.8 maximum aperture benefits working in a variety of lighting conditions as well as affording notable control over depth of field. FREE Shipping. Review Blackmagic Design null I believe my selection caters to all of those end goals and having been through those headaches I am positive that I would choose this route again. Getting down to f/2.8 was a fantastic option to have with the backup of f/4.0 in high light settings. B4 Broadcast Lens Control Control the broadcast lenses you already own The studiocam 4k is not s35. ... Canon CN7x17 KAS S Cine-Servo 17-120mm T2.95 – you could shoot entire projects with just this one lens. I've only ever seen a single unit out in the wild. Therefore, in theory, gimbal-users can set the lens … If you need to extend your recording time, simply mount an external SSD recorder. The Blackmagic Design URSA Broadcast Kit come with the Fujinon 8.5-170mm ENG Telephoto Lens, semi-servo Rear Zoom and Focus Lens Controls for a complete single-operator studio workflow. Blackmagic Design B4 Lens Mount Mount B4 lenses on your URSA Mini with this B4 Lens Mount from Blackmagic Design. At least it is supposed to be parfocal and the price isn't so crazy (especially considering the prices of Canon's other servo zooms). It's sensor is listed on the spec page as 13.056mm x 7.344mm this is tiny for a 4k sensor and give a very high pixel density, this will be bad for lowlight and bad for people who think a microscopic depth of field is desirable, but offers some hope for a full hd centre crop for b4 lenses, IF bmd would put a lens control connector on the camera!? There is a pairing that does work well for this purpose though, and that’s to use the Canon CN-E 18-80 T4.4 EF lens with a Metabones EF to MFT 0.71x Ultra adapter. The Blackmagic Design URSA Broadcast Camera is a field and studio production powerhouse. The only downside is the f/3.5-5.6 aperture. DISCLAIMER: This post may contain affiliate links. The next, and last, lens I ended up purchasing for the studio camera was the Panasonic Lumix G X Vario 35-100mm f2.8 II Power OIS. We knew we had the aperture to play with, the focal length and that the results were fantastic too. Blackmagic URSA Broadcast Camera & Fujinon 5BRM-K3 MS-01 Semi Servo Rear Control Accessory Kit Fujinon MS-01 Semi Servo Rear Control Accessory Kit The Fujinon XA20SX8.5BRM-K3 8.5-170mm f/1.8-2.7 HD Professional Lens is an ENG telephoto lens … 5.0 out of 5 stars 1. There are four approved active lenses for the BM Studio Camera: These lenses range from $200-500/£150-400 and are all controllable via a LANC controller. The Blackmagic Studio Camera is the world’s most advanced broadcast camera for live production! It is heavier than the 13-35mm above, at 357g but that is still light when compared to the full-frame equivalents. Lenses stand the test of time longer and putting your money into your lens choice pays dividends in the end. but for wide/ultrawide, no lens is suitable! You do get fisheye creeping in at that length so you have to keep an eye on that as much as possible, but it can be compensated for in post if necessary. By 16/14mm you are looking at an ultra-wide standard lens or a fisheye. But we only recommend products we would use ourselves. Blackmagic Design Pocket Cinema Camera 6K with EF Lens Mount. Lens from Panasonic is a 16-36mm equivalent lens that blends optical excellence with durable, refined physical design for Micro Four Thirds mirrorless cameras. The CN-E 18-80mm from Canon retails for around $4,600/£4,000 and the Metabones adapter for around $650/£600. Canon has a new rather slow f/4.4 18-80 compact zoom aimed at their small "cube" style camera, (EF mount) listed at $5K. As soon as the fruits of our labour came in and the team expanded, the content production increased and studio output rose… we had an issue. so that even 4mm lens is still not wide-enough. The results from this lens are pretty much exactly the same as the 12-35mm above, both being Lumix G Vario lenses. You can use affordable, high performance MFT lenses or add a B4 adapter to work with traditional broadcast lenses. For more content on lenses I have an article dedicated to my favourite lenses to work with as a Videographer here: Please select all the ways you would like to hear from DigiProTips: You can unsubscribe at any time by clicking the link in the footer of our emails. 00. These are known as Cine-servo lenses and are usually used on large TV studio cameras and feature film cameras due to most of them using B4 mounts. So to counteract the forthcoming issues with lighting and eventual double booking of the shoulder cam lenses that were being used in the studio for the talking head shots, I needed to find great but cost-efficient tele lenses for those cams. The Blackmagic Studio Camera features an active Micro Four Thirds lens mount that is compatible with an incredibly wide range of lenses and adapters. Which Synology is the Best NAS for Video Editing? Bear in mind that in full frame the equivalent would be 28mm or 32mm. This website uses cookies to improve your experience. Connected to the gallery were four Blackmagic Studio Cams and a couple of URSA Mini Pro 4K’s. Questions about ATEM Switchers, Camera Converter and everything live! Even though the new sensor is slightly wider than Micro Four Thirds, the height is smaller, and the image circle (in bold, in the middle of each box) is similar. Buy Blackmagic Design B4 Lens Mount for URSA Mini PL Mount Camera featuring Mount Broadcast Lenses on the URSA Mini, Optical Correction and Expansion, Full HD Image Circle, Servo Control, Only Compatible with PL Mount Models. The wide was a constant need of the studio. I didn’t want to have to get extra Metabones adapters to retrofit other makes of lens mount so I was really looking for the best in class of micro four thirds tele lenses in the 12-100mm range (24-200mm full-frame equivalent field of view). My studio is looking to upgrade our cameras, and we’ve been looking at the new blackmagic studio cam. Gotcha, so the HD sensor at 14.31mm diag is just under a 1", maybe 7/8" sensor. Now, studio work wasn’t the only use me and my team had for the kit we were using in the studio. This lens will predominantly be on a studio camera that’s on a dolly or tripod as well, so weight doesn’t become so much of an issue here. Blackmagic Design Pocket Cinema Camera 6K - for Canon EF Lens Mount + LP-E6 2000mah (x2), SanDisk 64GB Ultra UHS-I SDXC Memory Card & Xpix Deluxe Cleaning Accessories. I wanted to do away with the need for lens adapters in my setup and go with the native lens mount, micro four thirds. That is for the EX1 not for a standard ENG lens. The Micro Studio Camera’s SDI program input accepts commands via the SDI connection from any ATEM … I had set the studio up with great lighting but I have to admit, I’d very rarely change from f/4.0. You really need to use HD B4 lenses for satisfactory results. Your studio setup and budget will be different than mine but what you are looking for, on the whole, will not. As an Amazon Associate, I earn from qualifying purchases. When you’re looking for the best Blackmagic Studio Camera lens you need to ensure it fits your needs. If you’re still not sure on whether a Blackmagic Studio Camera is for you then check out my article on them here. The new Canon CN-E 18-80mm Servo zoom lens could definitely be an interesting option for EF mount cameras (like the Ursa Mini for example). At least it is supposed to be parfocal and the price isn't so crazy (especially considering the prices of … It retails for around $300-350/£250-300. Learn more about Mailchimp's privacy practices here. Canon CN-E 30-105mm T2.8 L S – for telephoto work. the Lumix G X Vario 12-35mm f/2.8 II ASPH. They were fujinon and canon for SD broadcast, one was off of an 800 line Ikigami and using it on an HD camera was too much for it. Studio work only accounted for maybe a fifth of all video work at the time and so we didn’t have clashes with shoots needing access to the same lens. This allowed me to have a range of shot options across my three Blackmagic Studio Cameras with some of the best lenses I could find to work with. Still no good solution for the SC, tho...ugh. The lens, again, works best at f/2.8 which suits the Blackmagic studio cams down to the ground and its size is incredibly small for a 70-200mm FF equivalent, just 67x100mm. for mine, i can buy(from china) second hand boardcast lens with integrated 2x teleconverter. Lens from Panasonic is a telephoto zoom designed for Micro Four Thirds mirrorless cameras. This website uses cookies to improve your experience while you navigate through the website. But you can make one if you don't want to buy with a ridiculous price. You also have the option to opt-out of these cookies. Servo lenses are smoothly zoomed directly from the camera, while the pan and tilt commands are also sent from the expansion ports PTZ output to a compatible motorized head. I thought they would put the 4k sensor of the BMPC into the studio cam. Description. Do you want it to have a motorized zoom, iris and focus control? The lenses I decided on were both Panasonics, the build quality was always a draw for me, a 12-35mm f/2.8 (24-70mm FF equivalent) and a 35-100mm f/2.8 (70-200mm FF equivalent). The M. Zuiko Digital ED 9-18mm F4.0-5.6 (35mm equivalent 18-36mm) lens is designed to maximize the performance advantages of the Micro Four Thirds System, and it's significantly lighter and more compact. The Blackmagic Design Studio Camera 4K 2’s magnesium-alloy chassis is lightweight and durable, making it great for studio and field work. POWER O.I.S. As I said near the beginning, investing in your lenses is a far more worthwhile monetary expense than investing in the camera body due to the rapid upgrades that the bodies receive. Review Blackmagic … for common focus-length range, $1000-$3000 (each lens) is enough. We do not have a complete STUDIO system (ATEM, Switcher, Multiple Studio Cameras, etc.) There were a couple of downsides I hadn’t accounted for with this lens and the Blackmagic Studio cams though. if it was easy it wouldn't be called engineering, Re: Servo Zoom Lens Ideas for Studio Camera, http://www.abelcine.com/store/HDx14-Mar ... l-Adapter/, http://item.taobao.com/item.htm?id=16916419935. (essential for sports and live music events). This would also stop any trouble with lens mounts being double-booked for location shoots when they were needed in the studio too. Broadcast B4 lenses can be fitted to... Broadcast B4 lenses … To avoid image vignetting, camera sensor must set to 2K or HD Windowed mode. For information about our privacy practices, please visit our website. Therefore, I didn’t have enough budget to kit out the on-location cams and the studio cams with lenses for each kit, I had to use the same lenses for each purpose and set up a booking system. for sensor size of studio camera, 1.5x can cover the whole sensor(in fact,1.3x enough for hd model). All items on this website are copyright Blackmagic Design Pty. Featuring a native B4 mount for standard 2/3" broadcast lenses means that the URSA Broadcast will be at home on a studio sled behind a box lens just as much as it will be on the shoulder of a news coverage camera operator. These features, along with high level 4K optical performance and functionality such as integrated servo controls for zoom, iris and focus for electronic control from a camera, optional remote controller and optional ZSG-C10 Zoom Servo Grip make the Compact-Servo lenses ideal for those seeking the traditional lens operational practices associated with professional cinematography. Learn more about Mailchimp's privacy practices here. The Blackmagic Design Micro Studio 4K is little more than a sensor with a lens mount, but it packs quite a punch. You want flexibility on set to go tighter with your shots, to get great sharpness, to not have underexposed images, and to not end up paying a fortune on lenses that may or may not produce the results you desire.

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