meike full frame cine lenses

As I have already mentioned it will cover full frame sized sensors. The markings on the lens are shown in both feet and meters, which is a little unusual. 40% Off. This is a sharp enough lens that you can certainly use it wide open. Meike 50mm T2.2 Cine Lens. The 50mm T2.1 Full-Frame lens is available in PL/EF/RF/E/L/Z mounts. Meike 50mm f1.2 Z-Mount full frame large aperture lens Lens Not Attached： MANUAL LENS need you to enable "M mode " or "Release without lens" in the setting of camera. Optically, performance should be similar to Veydra, if not better, since the facility manufacturing the lenses is better off. The barrel is significantly small enough that you can pull focus from infinity to the minimum focus distance by hand, but this does require a bit of effort. Compatible with： For Nikon Z-Mount full frame Z5 Z6 Z7 Z50 This is full frame large aperture lens, the depth of field becomes shallower to make the focus point clear. Lenses are available in Sony E-Mount, Fujifilm X-Mount, and M4/3 mount. They do, however, face stiff competition from companies such as DZOFilm. The complete set includes. The lens has an 82mm front filter diameter so you can easily attach common-sized filters. Investing in a full-frame lens is usually going to cost you a lot more money than buying one that just covers S35 sensors, however, some of the latest lens offerings from Meike and DZOFilm are starting o buck that trend. Adapters & Extension tubes. A lot of these relatively new lens manufacturers such as Meike and DZOFilm have made quality cine lenses available to the masses. Both the 50mm T2.1 and 35mm T2.1 cover an image circle of 45mm The color tone of a lens is really something you should look at closely if you are going to be using both prime and zoom lenses from different manufacturers. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. The 85mm T2.1 lens … Lens manufacturer Meike has just announced the first lens in its new FF-Prime Cine Series: the Meike 50mm T/2.1. The build quality and mechanics are really good, especially at this price point. Consider becoming a Patreon supporter and help us to continue being the best source of news and reviews for professional tools for the independent filmmaker. If anything, the lens is a little clinical and that may not be to everyone’s liking. As you can see in my tests, sharpness does improve as you stop the lens down. Meike Cinema Prime 12mm T2.2 $399.00. With the industry pushing forward with larger-sized sensors, investing in full-frame and larger glass is a pretty solid investment. Not many shooters want to purchase a single focal length prime lens. The DZOFilm is lighter and it has more iris blades. In a lot of ways, lenses like these offer cine-style mechanics at the price point of a normal stills lens. This prime lens has a fast T2.1 maximum aperture, standard 0.8 MOD focus and iris gears, and an 11-bladed aperture for smooth, rounded bokeh. Having an 82cm front filter thread allows you to use common-sized filters which is important if you plan on using this lens on mirrorless, DSLR, or small-sized digital cinema cameras that don’t have built-in ND. Despite only having a T2.1 maximum aperture, the lens is still capable of creating good separation from your background and the bokeh is pleasing. For a sub $1,000 USD full-frame cine lens the sharpness is more than acceptable. We apologize... Meike Full Frame Series 3* Cine Lens Kit  ( 35mmT2.1,50mmT2.1,85mmT2.1 /Cine lens Kit )  Presale : L Meike 85mm F1.8 Auto Focus Portrait Lens Large Aperture Lens for Nikon F Mount. ... Full frame manual lens Standard-focal Lens Full frame automatic lens Cine Lens Wide-angle Lens Macro Lens Camera lens Full frame lens Fish-eye Lens. Each focal length is … Was a gloomy day and we tried the new 85mm T2.1 handheld.This lens render bokeh in a dreamy feel that is very pleasing.More test coming. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. It should be in the same spot after you rack focus. The lens covers a large image circle of 45mm. Buy three or more cine lenses to have a FREE lens case. 5.0. Fixed Focal Length: 25mm Lens. After releasing a 50mm T2.1 and 35mm T2.1 f ull-frame cine lens in PL, RF, EF, L, and E-mount, Meike has announced an 85mm T2.1 prime available in the same mounts. I wouldn’t hesitate to use it wide open. At least there is now three lenses available, so it does mean you can have a basic set with the 35, 50, and now 85mm. Nice bokeh is something you want if you are purchasing a prime lens. NOTICE: The E lens mount is out of stock currently,the estimated shipping date is in the late of May. The reason this lens is less than $1,000 USD is that it is only T2.1 You usually can’t have your cake and eat it too. Meike Full Frame Series 3* Cine Lens Kit ( 35mmT2.1,50mmT2.1,85mmT2.1 /Cine lens Kit ) Buy three or more cine lenses to have a FREE lens case. This is the third lens in the series and it now joins the 50mm and 35mm T2.1. I don’t personally see this as any kind of problem, but it is worth mentioning. New! As usual, the price is considered affordable for a FF Cine Prime. The actual image circle coverage is 45mm. It is available in either PL, Canon EF, Canon R, Sony E, and … This is not overly close, but it is fairly standard for a lens with this focal length. Optically I have no idea how these lenses compare as I have not had a chance to try out any of the DZOFilm VESPID primes. All the tests were shot on the Kinefinty MAVO LF. The 85mm T2.1 tips the scales at approx. The Prime 35mm T2.1 is Meike’s second full-frame cine lens which joins the 50mm T2.1. Dimension: 35cm*25cm*19cm Meike already makes cinema prime lenses for M4/3, APS-C, and full-frame sized sensors. Let’s take a closer look at it! $216.00. It’s also tenths of a mm so not overly noticeable. Here are the lengths of the lens with different mounts: Just like the other lenses in the series, the 85mm feels solidly made (especially for a lens at this price). The Meike 85mm T2.1 Full Frame Cine Lens is an impressive offering, especially given its relatively low entry cost. The Meike 85mm T2.1 cinema prime lens for full-frame cameras features 85mm front diameter, 82mm filter thread, 330-degree focus throw, and 11 blades iris. In summary, perspective shift is the effective focal length change (angle of view change) and focus shift is reproduction size of the object changing as focus moves. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. If you wanted a faster lens and better optical performance then that usually comes at a cost. $325.00. A site for working professionals in the TV & Film industry. Av... View full details $2,880.00 The lens is fairly neutral when it comes to color, if anything it is slightly cooler in tone. On the 85mm T2.1, the infinity marking in meters and feet line up. The Meike 35mm T2.1 Full Frame Cine Lens is an impressive offering, especially given its relatively low entry cost. This isn’t a fast prime lens, so I would expect the sharpness to be reasonably good, even when using it at T2.1. 1107-1170g / 2.44-2.57 lb depending on the mount. On the 35mm T2.1 the focus ring had noticeably more friction when moving towards infinity than when it is moved back towards its minimum focus distance. The iris and focus are nicely weighted and both of them move smoothly. The 330 degrees of focus rotation allows you to make finite focus adjustments without the associated problems of using stills glass. Sigma Art 50mm F/1.4 DG HSM Lens for Canon EF. A macro lens can be 1:1 life size reproduction but as you focus it can change the reproduction size. No lens technically has zero breathing, but very good cinema glass has such minimal amounts that it is virtually impossible to see. In Stock : PL/EF/RF/E NOTICE: The L lens mount is out of stock currently,the estimated shipping date is in the early of June. I don’t generally shoot on a full-frame digital cinema camera, but I have still personally chosen to invest in full-frame prime lenses. Lens Mount: Made For Micro Four Thirds Mounts. What you will always see is some perspective shift which is normal when refocusing a lens. The lens also has 11 aperture blades. The bokeh produced is reasonably nice and round and you can create some beautiful out-of-focus areas by using the lens wide open, especially given the 85mm focal length. One thing I noticed is that the focus ring was noticeable better than the one on the 35mm T2.1 that I previously reviewed. I didn’t see any bokeh onion ring action like i did when I tested the 35mm T2.1. Also for full-frame cameras is the unique MK-85mm f/2.8 f/2.8 Macro lens, which offers a 9.8" minimum focus distance along with a 1.5:1 maximum magnification via the built-in magnification ring. The lens is fairly sharp, even when used wide open.

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