angenieux optimo vs optimo style

Supporting 4K resolution on Super 35mm sized sensors, the Angenieux 16 to 40mm Optimo Style Zoom Lens with PL Mount is patterned after the Angenieux Optimo … Looking at an upcoming rental, which lead me to a few online forums that claimed the EZ and Optimo style lenses have the same glass. They can be used with the servo module if that's the sort of work you do, and also easily swap to EF or Nikon mount. I can't atest to how it stacks up against the Optimo line, but it's a great lens at an affordable price. /r/cinematography is a forum dedicated to becoming an active resource for cinematographers of all skill levels. It is the ideal companion to the Optimo Style 16-40 T2.8 and 30-76 T2.8, the two other lightweight compact zooms of the range, and the 10x Optimo Style 25-250 T3.5.   You cannot paste images directly. Actually there’s a 4th Style sibling, a bit longer, less accustomed to hand-holding, but equally popular. I really appreciate you showing these tests. This lightweight, compact, mid-range lens is one of several zoom options in the Optimo Style series, Angenieux's line … It is the ideal companion to the Optimo Style 16-40 T2.8 and 30-76 T2.8, the two other lightweight compact zooms of the range, and the 10x Optimo Style 25-250 T3.5.   Pasted as rich text. In this video, we go through a few tests on the Angenieux Optimo Style 16-40 T2.8. They feel...bland. Looks like you're using new Reddit on an old browser. The big advantage to the DPs would be the possibility of buying them much cheaper on the 2nd hand market. Powered by Invision Community. Created to fill the wide gap between basic still photography zooms, and the highly acclaimed Optimo, Optimo Style family of lenses used in the motion pictures industry, the Angénieux Type EZ series features two new light weight zooms. Optimo Style 48-130mm: The Optimo style line of zoom lenses inherits the virtues of the famed OPTIMO Cine lenses, offering extra production efficiency and system compatibility. Both ranges are available in a "3D matched" pair. The Optimo Style 48-130 T3 is the third lightweight compact zoom lens in the Angénieux Optimo Style line. I mean 11 grand is steep , but much more reasonable to own than 40 . Matt from Newsshooter did an excellent write up on the EZ lenses a while back. As far as I could tell the build and optical performance are very similar. But if you need the flexibility of extenders and different mounts, or think you need the latest lenses to maximise a rental return, then spending $17,000 on a Style 16-40 instead of $12,000 on a 2nd hand DP 16-42 might be worth it. Looking at an upcoming rental, which lead me to a few online forums that claimed the EZ and Optimo style lenses have the same glass. All Optimo Style lenses are carefully manufactured to achieve a resolution of 4K and beyond, making them a sound investment for years to come. The Optimo Style 48-130 T3 is the third lightweight compact zoom lens in the Angénieux Optimo Style series. Are the lenses for your own use or do you want to rent to big production companies? Plus the user-interchangeable mounts and rear sensor coverage is a great feature for future proofing. The Optimo Style line is initially comprised of two lightweight zoom lenses with an optional motorization system, and a 10x zoom lens inspired by the legendary Angenieux 25-250mm … Big productions will often use the highest end gear (like a 15-40) because it's what they're used to and the small advantages (slightly faster, slightly wider, slightly less aberrations, better mechanical durability) are worth it to them for the slightly higher rental. The Optimo Style lenses build upon the earlier Optimo DP Rouge line, offering interchangeable mounts, color-matching with the Optimo line, and compatibility with both the ASU servo control, and the Optimo 1.4x and 2x extenders. That being said the EZ lenses are the best modern budget lens avaliable. The Optimo Style series from Angenieux is fully compatible with the latest generation of digital cameras, with the resolution 4K and higher. Angenieux Optimo Style vs EZ. On a side note, would you not consider using the new(ish) Canon CN7x17, which in one lens not much bigger than an Angeniuex will give you a focal range of 17mm - 120mm @ T/2.95 (albeit ramping to T3.85 from 90-120mm). Angenieux Optimo Ultra 12x – Full Frame 36-435mm T4.2 – 46.3mm Ø configuration The next-generation Angénieux Optimo Ultra 12x is a high-end, multi-format zoom with interchangeable modules to cover sensor sizes from Full Frame 24×36 and RED 8K VV to U35 and S35. Camera. Angenieux have discontinued the "DP" range and replaced it with the "Style" range. The lens includes an ASU servo unit which provides focus, zoom, and iris control. I figured, I love the optimo styles so was curious about the EZ's. Angenieux 's Optimo Style 16-40mm Wide-Angle Zoom Lens with ASU Servo Unit is a fast zoom lens with a PL mount for Super35-sized sensors. × Fantastic looking stuff! If I were you I’d snag some used Rogue DP’s (if you only shoot digital). Hi, I was wondering has someone been using the Optimo Style series (16-40 & 30-76) from Angenieux and what would be difference or improvements in relation with the Optimo … Paste as plain text instead, × How do they compare to the Optimo style? They are not the same glass. The Silver Set of six Angénieux Optimo Primes will begin to ship in September. January 22, 2017 in Lenses & Lens Accessories. Optimo Style 30‑76. It joins the Optimo Style 16-40 T2.8 and 30-76 T2.8, the two other lightweight compact zooms of the range, and the 10x Optimo Style 25-250 T3.5. But as far I see the big production would always chose the 15-40mm and the footage with the Rouge are often characterised with blown out skies, lost details etc. At first I thought I didn’t care, but after looking at tests, I just don’t feel like the EZ’s grasp the Angenieux look. Angenieux welcomes a 3rd sister in their lightweight, high-class, high-quality, compact Optimo Style family of S35 mm format zooms. The Optimo Style line is initially comprised of two light weight zoom lenses with an optional motorization system, and a 10x zoom lens inspired by the legendary Angenieux 25-250mm zoom. Source: I know a guy that knows a guy that works at Angenieux. Personally, I like the EZ 30-90mm quite a bit. Kyle Bart Reid takes us through a series of lens tests between the RED Zoom and the Angenieux Optimo. I bought both of these lenses after spending many months testing and comparing the various cine zoom lenses on the market. Uncoated Front elements for 56-152mm & 28-76mm. The Optimo Prime series of 12 lenses provides full frame 46.5mm image circle coverage with a consistent 1.8 T-stop (except on extremes). I haven't seen any head to head tests online. I think if you have a budget go for the optimos, but if you are trying to shave some costs , it is a great alternative without too much loss quality wise . Angenieux 16-40mm Optimo Style Zoom Lens with PL Mount. Upload or insert images from URL. The Optimo DP 16-42mm and 30-80mm will be discontinued as individual lenses and available in pairs tuned from the factory as a 3D package. With exceptional optical performances, great image coverage (Ultra S35 format up to 34.6mm image circle), minimal breathing and a fast aperture of T3 with no ramping, the 48-130 is … I know the DP Rouge lenses, but only got a brief chance to throw the similar range Style zooms up on my test projector and play with them a bit. The Optimo Style family is comprised of 3 compact lightweight zooms, and a 10x long range zoom inspired by the legendary Angenieux 25-250mm, … The new 48-130 T3.0 zoom lens joins the Optimo Style 16-40 T2.8 and 30-76 T2.8 zooms. The Optimo Prime series will perfectly complete the Angenieux FF zoom lens offer, including the Optimo Ultra 12x. Purposely built for cinematic production, our lenses achieve excellence in design, mechanical and optical perfection. Problems like blown out skies etc aren't due to the lenses.. :). In this video, we go through a few tests on the Angenieux Optimo Style 30-76mm T2.8. They actually are the only lenses that Angenieux makes that aren't made in their factory In France but instead they are outsourced to Japan. At first glance the 48-130mm may seem like a strange choice of focal lengths, but that range should make the lens suitable for getting those tighter shots when hand held, or for use on Stedicams, gimbals and remote heads etc. The Angenieux Lens Line, the industry’s cine lenses reference Angenieux provides a unique range of lenses perfectly suited for productions ranging from top quality to mid-range.

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